He Xin Ougan: How many Chinese did the pseudo-Greek art deceive?
- The Greek peninsula, called Gris in ancient times, has no agriculture, no herd, no business, lack of food, little use, no science or art
I also saw a Weibo downstairs kneeling in front of the pseudo-Greek sculpture art, retelling a series of nonsense about Western art history—what Greek art spreads to the east.
The Greek peninsula (it was not called Gris in ancient Greece), the barren mountains and barren land, has almost nothing but a blue sky and blue sea. Since ancient times, there has been no agriculture, no herd, no business, lack of food and less use, and it is difficult to feed the native land. There is no science. , Academic, artistic?
Thousand-Buddha Stele Northern Zhou Dynasty (557-581 AD)
The so-called famous Greek sculptures in some Western museums are basically fakes, and the authentic ones are actually fakes by Westerners, especially Italian stonemasons, after the Renaissance. Including the famous Venus, Laocoon and so on.
The Chinese plastic arts have been produced from ancient times, and are inherited in an orderly manner.
After the Han and Tang Dynasties, the Chinese plastic art and the indigenous Gandhara Buddhist art in the Indus River Basin, which is now Pakistan and Afghanistan, learned from each other, merged with each other, and spread to West Asia at the same time, affecting the plastic art of ancient Syria and Constantinople. , And then spread to the Iberian Peninsula and the Italian Peninsula through the Arabian (Umayyad) Empire, and influenced the plastic art of the Italian Renaissance. So the plastic art of modern Europe and the West emerged.
This is the real history of world art. Author/He Xin